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Original Release Date: 1964 Re-issue Date: 2015 Herb Alpert was still using an array of So Cal studio all-stars as his Tijuana Brass when South of the Border (1964) began to restore the combo’s good name after the modest Herb Alpert’s Tijuana Brass, Vol.2 (1963) failed to ignite a fire in listener’s ears.Original Release Date: 1962 Re-issue Date: 2015 The colossus that is A&M Records starts right here with the first album by the 1960s instrumental juggernaut known as the Tijuana Brass.

Years ago, when the arts programs were cut out of our public schools, so many kids stopped having that kind of opportunity.” A legendary trumpet player, Alpert’s extraordinary musicianship has earned him album, “Steppin’ Out,” fifteen Gold albums, fourteen Platinum albums and has sold over 72 million records.

Herb Alpert & The Tijuana Brass propelled his sound into the pop music limelight, at one point outselling the Beatles two to one.

Also, Alpert was just getting the TJB concept underway; the textures are leaner, the productions less polished, and the accent is more consciously on a Mexican mariachi ambience — the relatively square rhythms, the mandolins, the mournful, wistful siesta feeling — than the records down the road.

The hit title track (originally a tune called “Twinkle Star”!

For this revival's first season, two formats were used.

The basic format for this show, used throughout the first year, was for the bachelor/bachelorette to pick from two facts about the three potential dates.

At the age of eight, he was drawn to the trumpet in a music appreciation class in his elementary school.

“I was very fortunate that I had that exposure to music and was encouraged to stick with it.

In 1966, they achieved the since-unmatched feat of simultaneously having four albums in the Top 10– and five in the Top 20.

Herb Alpert also has the distinction of being the only artist who has had a #1 instrumental and vocal single.

Alpert later commented that the Sol Lake composition “Mexican Shuffle” “opened a new door for me.” That passageway meant the loss of the Tijuana Brass‘ practically forced mariachi style and the rise of Alpert‘s approach in arranging familiar melodies in fresh, creative settings.

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